Towards the Light, details

Pictures of paintings really do not do justice to the paintings, althought we artists try to make the image look as much as the artwork as is possible. The camera 'sees' less than what the human eye does.

Here are some details from "Towards the Light", so you can see some of the strokes that make up the painting.

Water:



Foliage:



Stones:



As you see, the quality and direction of strokes varies as the surface vary, and as is needed. It wouldn't work well to do this kind of water with the same type of random marks as foliage. A boulder wouldn't look rounded by age and water if all strokes had been horizontal.

Initial strokes (no picture), are usually made with the side of the pastel stick. Think of it as a broad brush, and the tip of the  pastel stick as a small brush.

Varied strokes tend to give a livlier appearence to a painting, and helps build character and form.

3 Responses to Towards the Light, details

Robert Sloan
via charlie.fineartstudioonline.com
Thank you! This is a perfect short lesson in itself. It's something I've been leaning toward, but you put it so clearly that now I'll be paying attention to it in every painting I do.
Charlotte Herczfeld
via charlotteherczfeld.com
Rob, thanks! An additional tip, then. When painting long things, trunks, limbs, arms and legs too, it often looks kind of funny if one lets the strokes go along the length. Much better to let strokes follow the planes, and change direction of stroke when the plane changes. And "every plane change is a colour change", too.

Robert Sloan
via charlotteherczfeld.com
Thank you! It completely makes sense. I've had that bad habit on tree trunks for a long time since that's how I establish them, but in the later layers they can be broken up more if the trunk's big enough to count as a mass on the first layer. Thanks for the reminder that every plane change is a colour change. This is going to help me so much.








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