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Henri Roché Pastels -- A Review


The luxurious pastel stick Henri Roché, found at La Maison du Pastel in Paris, France, is something pastel painters are curious about. Recently, I tested seven colours of the brand.

 

 

While I was sketching and preparing the review, I found something really exciting about these pastels -- they allow you to layer and fix between layers just as Edgar Degas did! His methods are known, but we modern pastellists find that we have difficulties making his method work, as the pastel pigments on the paper tend to "melt" and "fuse" when fixative is applied heavily, or get "spotty" when it is sprayed on lightly, and the light pastels darken considerably regardless of method.

 

The Roché pastels remain almost exactly as they were when fixative is applied. Very impressive.

 

In the Review, I test the pastels on three different papers and show images with closeups.

 

Read the Roché Review here.  (Originally written for The Pastel Scribbler, the newsletter of the Pastel Guild of Europe.)

 

 

 

7 Responses to Henri Roché Pastels -- A Review

Sherry Furr
via charlotteherczfeld.com
Charlie, excellent review and love your work. In fact I always look for you first on WC. You are my favorite. I aspire to paint as you do, with full color.

Charlotte Herczfeld
via charlotteherczfeld.com
Hi Sherry, aw, thank you so much! You are doing so great during the relatively short time you've painted with pastel! I'm looking forward to see your Roché paintings!

Full colour painting is a joy, and it takes some considerable time to get a grip on it. Tonal painting is easier, quicker. Colour painting has other rewards, too, in seeing the glorious full spectrum colours wherever one looks!

Sherry Furr
via charlotteherczfeld.com
Thanks Charlie. I am constantly seeking the color around me and I can see that it will take a while to really get it. It is difficult to do on my own though.

Charlotte Herczfeld
via charlotteherczfeld.com
Sherry, do you have the book by Susan Sarback? She teaches seeing in it so well (the one with the word pastel in the title). And, well, you can only get pointers and some advice, and then it is practice practice practice, which you do on your own. :-) One trick I used in the beginning was to not look at the object, but into the air some four inches in front of it (depending on size etc). That way I looked more at the colour than at the object.

And very good trick is to be nearsighted and take off the glasses... everything just turns into colour, when focus and details disappear.

Sherry Furr
via charlotteherczfeld.com
Charlie, I do and have read it. I have also studied Henry Hensche and have a wonderful 193 page document from the web on his colour studies. It is a little more difficult to read than Sarback but is more true to full color painting, I believe. If you would like it, I will email it to you.

This month is the one year anniversary of my first art course. I have spent the year studying and copying the master's and others. I know now what I get excited about (color) and now must find my own style. I truly value your advice and help. Thanks so much.

Robert Sloan
via charlotteherczfeld.com
Purr! I don't always look at your front page but just noticed that gorgeous misty skyscape with the sea and a few indistinct land masses. Wow. That is so lyrical. So simple and so powerful. Not simple at all when I look close, it's incredible!

Thank you so much for reviewing the Roche' pastels. With your examples I was able to go right to the best test - how mine handle on non sanded paper after soaking with a lot of fixative. I was amazed! They go over each other even when anything else would have filled the tooth and then with fixative they just keep going!

I love them. Definitely have to get more. These have their own special place in my tool box.

Charlotte Herczfeld
via charlotteherczfeld.com
Sherry, welcome to Colour Addicts Anonymous. :-) The good news is that there are many people who do love colour, and I've experienced this in the Country of Beige. Listen to the drummer that drums for you!

Robert, glad it helped. I did another, with some more sticks, and they do go on top of each other incredibly well, but that fixative is a must. And the lighter sticks do darken *slightly* if drenched, but hardly at all when lightly sprayed.










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